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GeekTyrant's October Zombie Fest kicks off with WHITE ZOMBIE

It's horribly dated and excruciatingly slow-paced by modern standards - this is one film that has not aged well. But the lavish stage-bound sets and overwrought performances sometimes reach a strange almost surreal quality that makes for some very memorable gothic imagery. Maybe more interesting as a historical relic than as entertainment, but those with a taste for classic horror will find a lot to savor here.

A sinister inquiry into the multiple ways that desire can be projected. Get ready to scream! Now Showing Rentals Feed Notebook. White Zombie. Directed by Victor Halperin. The Last Screening Laurent Achard. White Zombie Directed by Victor Halperin. Show all Victor Halperin Director. Bela Lugosi Cast. Madge Bellamy Cast. Joseph Cawthorn Cast. Robert Frazer Cast. Garnett Weston Screenplay. Arthur Martinelli Cinematography.

Xavier Cugat Music.

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Critics reviews. Show all 6. The set design is atmospheric, the photography moody, and the music score enervating but innovative. The real frissons come from the sound effects, which deliver some striking moans and screams. David Cairns. Read full article. Apart from a few diegetic sounds—essentials like sobs, screams, laughter, and gunshots—you mostly hear a ghoulish atonal score by modernist composer George Antheil, filled with foreboding jazz and the occasional soprano wail. The demon that possesses your soul.

Wait a bit. I have so much to show you. So much that you are afraid to see. The muffled, doom-impregnated ambiance of Daughter of Horror truly escapes words. Grotesques populate its dark corridors, mutant people who scuttle around in the night, like bedbugs on a cheap mattress. The usual mechanisms of character identification grind to a halt. This sense of alienation and neediness, of not being able to relate to the movie in a usual manner, plunges the viewer into a state of ambivalent confusion and unease.

Indeed, whereas film noir tends to lure us in with its smoke-ring glamour, Daughter of Horror keeps us perpetually at an arms length, disgusted but transfixed.

It compels us to keep watching out of a balance of sheer unease and shock—from the very beginning, we know, as we do in nightmares, that something bad is going to happen. Lots of bad things are going to happen. Freudian overtones also crowd into this dark night of the soul. No doubt, but still powerful and frightening. Whereas standard Hollywood flicks incorporated psychoanalysis as a means of explaining away complexes, as a kind of tool to decipher the world and make it safer, Daughter of Horror plunges us into a forest of smirking symbols.

In this twisted cosmos, a cigar is never just a cigar. Though drawn in broad, blown-up strokes, this movie still surprises you with subtle allusions and amusing touches.


  1. DeepDiscount.com!
  2. White Zombie () - IMDb.
  3. ‎White Zombie () directed by Victor Halperin • Reviews, film + cast • Letterboxd?
  4. La Bíblia dels Nens - Còmic Reis i profetes (catalan edition).

The generally transfixing cinematography shows what veteran director of photography William C. After that, we cut to a track-in camera movement that creeps past a flashing HOTEL sign into the cheap rented room of our sleeping heroine, where she clutches the bedclothes in the throes of a bad dream.

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White Zombie and the Lure of Legendre by Larry Underwood

The movie ends with a parallel camera movement, drifting away from the room, before cutting back to that chasm of starry sky. The usual mechanisms of character identification grind to a halt. This sense of alienation and neediness, of not being able to relate to the movie in a usual manner, plunges the viewer into a state of ambivalent confusion and unease.

Indeed, whereas film noir tends to lure us in with its smoke-ring glamour, Daughter of Horror keeps us perpetually at an arms length, disgusted but transfixed. It compels us to keep watching out of a balance of sheer unease and shock—from the very beginning, we know, as we do in nightmares, that something bad is going to happen. Lots of bad things are going to happen. Freudian overtones also crowd into this dark night of the soul.

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No doubt, but still powerful and frightening. Whereas standard Hollywood flicks incorporated psychoanalysis as a means of explaining away complexes, as a kind of tool to decipher the world and make it safer, Daughter of Horror plunges us into a forest of smirking symbols. In this twisted cosmos, a cigar is never just a cigar.

Though drawn in broad, blown-up strokes, this movie still surprises you with subtle allusions and amusing touches. The generally transfixing cinematography shows what veteran director of photography William C.


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  • After that, we cut to a track-in camera movement that creeps past a flashing HOTEL sign into the cheap rented room of our sleeping heroine, where she clutches the bedclothes in the throes of a bad dream. The movie ends with a parallel camera movement, drifting away from the room, before cutting back to that chasm of starry sky. What fearful symmetry! Leer Cam!

    White Zombie

    The camera slips inside of the room where the Gamin is dreaming… then right into her consciousness. In one of my favorite, the fat man gnaws away at a chicken leg while, in the background, the Gamin displays her own shapely legs as a temptation, then sneers when the corpulent creature keeps on chowing down.

    This bizarro gem of a movie not only borrowed bits and pieces from great filmmakers, but also foreshadowed future masterpieces.

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    Those track-ins on the hotel recall the probing high angle shots that you see at the start of Psycho. I offer you a superb, if sometimes clunky, wide-awake nightmare.